It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction.
Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greekdramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty.
Farmer is best known for his sequences of novels, especially the World of Tiers (1965–93) and Riverworld (1971–83) series. He is noted for the pioneering use of sexual and religious themes in his work, his fascination for, and reworking of, the lore of celebrated pulp heroes, and occasional tongue-in-cheek pseudonymous works written as if by fictional characters. Farmer often mixed real and classic fictional characters and worlds and real and fake authors as epitomized by his Wold Newton family books, which tie classic fictional characters together as real people and blood relatives resulting from an alien conspiracy. Such works as The Other Log of Phileas Fogg (1973) and Doc Savage: His Apocalyptic Life (1973) are early examples of literary mashup novels. (Full article...)
Revival is an American horror comics series created by writer Tim Seeley and artist Mike Norton. The pair worked with colorist Mark Englert and cover artist Jenny Frison to produce the series, which was published by Image Comics as 47 monthly issues released between July 2012 and February 2017. It has since been reprinted in both paperback and hardcover editions that contain multiple issues.
Set in central Wisconsin, Revival follows the aftermath of the dead coming back to life. The story is centered on detective Dana Cypress and her revived sister Em as it touches on religious, moral and social themes. As they investigate, they find Em's murder to be closely linked to the revival. Although the creators always knew how the central mystery would conclude, the exact length of the series was determined by sales. (Full article...)
It is easy to argue persuasively the truism that the lessons of history are best derived from what actually happened, rather than from what nearly happened. It should be added, however, that what happened becomes more fully comprehensible in the light of the contending forces that existed at moments of decision. Understanding of the total historical setting is bound to contribute to a clearer view of the actual course of affairs.
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—Harold C. Deutsch (1904-1995), Introduction, What If? Strategic Alternatives of WWII (December 1997).
Detail from a Japanese woodblock print (ca. 1741–51) of Zhong Kui (called Shōki in Japanese), a Chinese mythological figure traditionally regarded as a vanquisher of ghosts and demons. His image is often painted on household gates as a guardian spirit, as well as in places of business where high-value goods are involved. According to folklore, Zhong Kui was a man who committed suicide after he was stripped of the title "zhuangyuan" (having achieved top honors in the imperial examinations) by the emperor of China because of his disfigured appearance, after which he became king of ghosts in Hell. The print is entitled "Shōki zu" ("Shōki striding") and measures 69 by 10 cm (27.2 by 3.9 in). (POTD)
... that the demon Kabandha(pictured), from the Hindu epic Ramayana, is described to be as big as a mountain, headless, and with arms eight miles long?
Science Fiction Quarterly was an American pulpscience fiction magazine that was published from 1940 to 1943 and again from 1951 to 1958. Charles Hornig served as editor for the first two issues; Robert A. W. Lowndes edited the remainder. Science Fiction Quarterly was launched by publisher Louis Silberkleit during a boom in science fiction magazines at the end of the 1930s. Silberkleit launched two other science fiction titles (Science Fiction and Future Fiction) at about the same time: all three ceased publication before the end of World War II, falling prey to slow sales and paper shortages. In 1950 and 1951, as the market improved, Silberkleit relaunched Future Fiction and Science Fiction Quarterly. By the time Science Fiction Quarterly ceased publication in 1958, it was the last surviving science fiction pulp magazine, all other survivors having changed to different formats.
Science Fiction Quarterly's policy was to reprint a novel in each issue as the lead story, and Silberkleit was able to obtain reprint rights to two early science fiction novels and several of Ray Cummings' books. Both Hornig and Lowndes were given minuscule budgets, and Hornig in particular had trouble finding good material to print. Lowndes did somewhat better, as he was able to call on his friends in the Futurians, a group of aspiring writers that included Isaac Asimov, James Blish, and Donald Wollheim. The second incarnation of the magazine also had a policy of running a lead novel, though in practice the lead stories were often well short of novel length. Among the better-known stories published by the magazine were "Second Dawn", by Arthur C. Clarke; "The Last Question", by Isaac Asimov; and "Common Time", by James Blish. (Full article...)
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